Warm living room in grim world
Marina de Vries
‘The
sweetest boys in Rotterdam’, the duo Gil (Nader) and Moti (Porat) was
called seven years ago. They had then been in the Netherlands for just
a year. They are still exceptionally sweet – at least, it is rare to
meet people with such a great desire for friendship and fraternity.
Gil & Moti, who are, just like the British duo Gilbert &
George, partners in life and art, can usually be found in their home
gallery which doubles as living room. Last weekend they made their
first appearance in the Amsterdam gallery De Praktijk.
The gallery has been transformed into the cloyingly sweet living room
of Crazy Annie. The walls are covered in pastel coloured drawings and
paintings, and the space is filled with brocade folding screens,
embroidered t-shirts and underpants hanging from a washing line, cozily
upholstered television sets and lamps decorated with shells.
Gil and Moti present themselves as artists who are not attached to one
discipline, and they paint just as easily as they embroider,
photograph, write, make installations, live and perform. In this they
approach art, just like the eccentric Gilbert & George, with
exceptional playfulness and mischief.
Where Gilbert & George offended their scrupulous audience by
literally dropping their trousers on their billboard photos and showing
their excrement, Gil & Moti provoke by presenting themselves in a
project like Love Stories.
They go looking for a new boy toy, with whom they want to form a
threesome. The boy toy is not chosen randomly. The Jewish-Israeli duo
is looking for a Palestinian. The products in the living room form, in
portraits and letters, a record of this search, which lead to several
new friends and or lovers.
Taken individually the products are barely successful. At best they are
cheerful, naive but also mediocre paintings. At worst – three
intertwined rakes into which a face is folded, a heart with three
curves – it is cheesy nonsense.
But just as Gilbert & George made a serious effort to abolish the
boundaries between high and low culture, so Gil & Moti mount a
serious effort to teach society a lesson.
Because it takes some doing to report so openly on your sexual
orientation and escapades, precisely at a moment when studies show that
gay people feel increasingly unsafe.
It takes some doing, while Israel is increasing the pressure on the
Palestinians, to show how beautiful, cheerful, versatile, intellectual,
seductive and indeed just-like-us our Palestinian neighbours are.
And it takes some doing to counter the increasingly grim world with a
heavenly living room, overflowing with warmth, hospitality and
coziness.
It is a pity that, just as the works cannot function without each
other, they really cannot function without the presence of the artists
either. In order to perfect the sculpture, they would have to move into
the gallery while the exhibition is on.